Podcasts of books by Peter Alesso for book to movie for Midshipman Henry Gallant Henry Gallant Movie Movie: Lieutenant Henry Gallant Movie: Lieutenant Henry Gallant Podcast: Midshipman Henry Gallant in Space (1)

A gallery of Science Fiction Ledgends and theiw works. Science Fiction Writers Hall of Fame Isaac Asimov Asimov is one of the foundational voices of 20th-century science fiction. His work often incorporated hard science, creating an engaging blend of scientific accuracy and imaginative speculation. Known for his "Robot" and "Foundation" series, Asimov's ability to integrate scientific principles with compelling narratives has left an enduring legacy in the field. Arthur C. Clarke The author of numerous classics including "2001: A Space Odyssey," Clarke's work is notable for its visionary, often prophetic approach to future technologies and space exploration. His thoughtful, well-researched narratives stand as enduring examples of 'hard' science fiction. Robert A. Heinlein Heinlein, one of science fiction's most controversial and innovative writers, is best known for books like "Stranger in a Strange Land" and "Starship Troopers." His work is known for its strong political ideologies and exploration of societal norms. Philip K. Dick With stories often marked by paranoid and dystopian themes, Dick's work explores philosophical, sociological, and political ideas. His books like "Do Androids Dream of Electric Sheep?" inspired numerous films, solidifying his impact on popular culture. Ray Bradbury Known for his poetic prose and poignant societal commentary, Bradbury's work transcends genre. His dystopian novel "Fahrenheit 451" remains a touchstone in the canon of 20th-century literature, and his short stories continue to inspire readers and writers alike. Ursula K. Le Guin Le Guin's works, such as "The Left Hand of Darkness" and the "Earthsea" series, often explored themes of gender, sociology, and anthropology. Her lyrical prose and profound explorations of human nature have left an indelible mark on science fiction. Frank Herbert The author of the epic "Dune" series, Herbert crafted a detailed and complex future universe. His work stands out for its intricate plotlines, political intrigue, and environmental themes. William Gibson Gibson is known for his groundbreaking cyberpunk novel "Neuromancer," where he coined the term 'cyberspace.' His speculative fiction often explores the effects of technology on society. H.G. Wells Although Wells's works were published on the cusp of the 20th century, his influence carried well into it. Known for classics like "The War of the Worlds" and "The Time Machine", Wells is often hailed as a father of science fiction. His stories, filled with innovative ideas and social commentary, have made an indelible impact on the genre. Larry Niven Known for his 'Ringworld' series and 'Known Space' stories, Niven's hard science fiction works are noted for their imaginative, scientifically plausible scenarios and compelling world-building. Octavia Butler Butler's work often incorporated elements of Afrofuturism and tackled issues of race and gender. Her "Xenogenesis" series and "Kindred" are known for their unique and poignant explorations of human nature and society. Orson Scott Card Best known for his "Ender's Game" series, Card's work combines engaging narrative with introspective examination of characters. His stories often explore ethical and moral dilemmas. Alfred Bester Bester's "The Stars My Destination" and "The Demolished Man" are considered classics of the genre. His work is recognized for its powerful narratives and innovative use of language. Kurt Vonnegut Though not strictly a science fiction writer, Vonnegut's satirical and metafictional work, like "Slaughterhouse-Five," often used sci-fi elements to highlight the absurdities of human condition. Harlan Ellison Known for his speculative and often dystopian short stories, Ellison's work is distinguished by its cynical tone, inventive narratives, and biting social commentary. Stanislaw Lem Lem's work, such as "Solaris," often dealt with philosophical questions. Philip José Farmer Known for his "Riverworld" series, Farmer's work often explored complex philosophical and social themes through creative world-building and the use of historical characters. He is also recognized for his innovations in the genre and the sexual explicitness of some of his work. J. G. Ballard Best known for his novels "Crash" and "High-Rise", Ballard's work often explored dystopian modernities and psychological landscapes. His themes revolved around surrealistic and post-apocalyptic visions of the human condition, earning him a unique place in the sci-fi genre. AI Science Fiction Hall of Fame As a science fiction aficionado and AI expert, there's nothing more exciting to me t han exploring the relationship between sci-fi literature and artificial intelligence. Science fiction is an innovative genre, often years ahead of its time, an d has influenced AI's development in ways you might not expect. But it's not just techies like us who should be interested - students of AI can learn a lot from these visionary authors. So buckle up, as we're about to embark on an insider's journey through the most famous science fiction writers in the hall of fame! The Science Fiction-AI Connection Science fiction and AI go together like peanut butter and jelly. In fact, one could argue that some of our most advanced AI concepts and technologies sprung from the seeds planted by sci-fi authors. I remember as a young techie, curled up with my dog, reading Isaac Asimov’s "I, Robot". I was just a teenager, but that book completely changed how I saw the potential of AI. The Most Famous Sci-Fi Writers and their AI Visions Ready for a deep dive into the works of the greats? Let's take a closer look at some of the most famous science fiction writers in the hall of fame, and how their imaginations have shaped the AI we know today. Isaac Asimov: Crafting the Ethics of AI You can't talk about AI in science fiction without first mentioning Isaac Asimov. His "I, Robot" introduced the world to the Three Laws of Robotics, a concept that continues to influence AI development today. As an AI student, I remember being fascinated by how Asimov's robotic laws echoed the ethical considerations we must grapple with in real-world AI. Philip K. Dick: Dreaming of Synthetic Humans Next up, Philip K. Dick. If you've seen Blade Runner, you've seen his influence at work. In "Do Androids Dream of Electric Sheep?" (the book Blade Runner is based on), Dick challenges us to question what it means to be human and how AI might blur those lines. It's a thought that has certainly kept me up late on more than a few coding nights! Arthur C. Clarke: AI, Autonomy, and Evolution Arthur C. Clarke's "2001: A Space Odyssey" has been both a source of inspiration and caution in my work. The AI character HAL 9000 is an eerie portrayal of autonomous AI systems' potential power and risks. It's a reminder that AI, like any technology, can be a double-edged sword. William Gibson: AI in Cyberspace Finally, William Gibson's "Neuromancer" gave us a vision of AI in cyberspace before the internet was even a household name. I still remember my shock reading about an AI entity in the digital ether - years later, that same concept is integral to AI in cybersecurity. The Power of Creativity These authors' works are testaments to the power of creativity in imagining the possibilities of AI. As students, you'll need to push boundaries and think outside the box - just like these authors did. Understanding Potential and Limitations The stories these authors spun provide us with vivid scenarios of AI's potential and limitations. They remind us that while AI has massive potential, it's not without its challenges and dangers. Conclusion And there we have it - our deep dive into the most famous science fiction writers in the hall of fame and their influence on AI. Their work is not just fiction; it's a guiding light, illuminating the path that has led us to the AI world we live in today. As students, we have the opportunity to shape the AI of tomorrow, just as these authors did. So why not learn from the best? Science Fiction Greats of the 21st Century Neal Stephenson is renowned for his complex narratives and incredibly detailed world-building. His Baroque Cycle trilogy is a historical masterpiece, while Snow Crash brought the concept of the 'Metaverse' into popular culture. China Miéville has won several prestigious awards for his 'weird fiction,' a blend of fantasy and science fiction. Books like Perdido Street Station and The City & The City are both acclaimed and popular. His work is known for its rich, evocative language and innovative concepts. Kim Stanley Robinson is best known for his Mars trilogy, an epic tale about the terraforming and colonization of Mars. He's famous for blending hard science, social commentary, and environmental themes. He continues this trend in his 21st-century works like the climate-focused New York 2140. Margaret Atwood, while also recognized for her mainstream fiction, has made significant contributions to science fiction. Her novel The Handmaid's Tale and its sequel The Testaments provide a chilling dystopian vision of a misogynistic society. Her MaddAddam trilogy further underscores her unique blend of speculative fiction and real-world commentary. Alastair Reynolds is a leading figure in the hard science fiction subgenre, known for his space opera series Revelation Space. His work, often centered around post-humanism and AI, is praised for its scientific rigor and inventive plotlines. Reynolds, a former scientist at the European Space Agency, incorporates authentic scientific concepts into his stories. Paolo Bacigalupi's works often deal with critical environmental and socio-economic themes. His debut novel The Windup Girl won both the Hugo and Nebula awards and is renowned for its bio-punk vision of the future. His YA novel, Ship Breaker, also received critical acclaim, winning the Michael L. Printz Award. Ann Leckie's debut novel Ancillary Justice, and its sequels, are notable for their exploration of AI, gender, and colonialism. Ancillary Justice won the Hugo, Nebula, and Arthur C. Clarke Awards, a rare feat in science fiction literature. Her unique narrative styles and complex world-building are highly appreciated by fans and critics alike. Iain M. Banks was a Scottish author known for his expansive and imaginative 'Culture' series. Though he passed away in 2013, his work remains influential in the genre. His complex storytelling and exploration of post-scarcity societies left a significant mark in science fiction. William Gibson is one of the key figures in the cyberpunk sub-genre, with his novel Neuromancer coining the term 'cyberspace.' In the 21st century, he continued to innovate with his Blue Ant trilogy. His influence on the genre, in terms of envisioning the impacts of technology on society, is immense. Ted Chiang is highly regarded for his thoughtful and philosophical short stories. His collection Stories of Your Life and Others includes "Story of Your Life," which was adapted into the film Arrival. Each of his carefully crafted tales explores a different scientific or philosophical premise. Charlie Jane Anders is a diverse writer who combines elements of science fiction, fantasy, and more in her books. Her novel All the Birds in the Sky won the 2017 Nebula Award for Best Novel. She's also known for her work as an editor of the science fiction site io9. N.K. Jemisin is the first author to win the Hugo Award for Best Novel three years in a row, for her Broken Earth Trilogy. Her works are celebrated for their diverse characters, intricate world-building, and exploration of social issues. She's one of the most influential contemporary voices in fantasy and science fiction. Liu Cixin is China's most prominent science fiction writer and the first Asian author to win the Hugo Award for Best Novel, for The Three-Body Problem. His Remembrance of Earth's Past trilogy is praised for its grand scale and exploration of cosmic civilizations. His work blends hard science with complex philosophical ideas. John Scalzi is known for his accessible writing style and humor. His Old Man's War series is a popular military science fiction saga, and his standalone novel Redshirts won the 2013 Hugo Award for Best Novel. He's also recognized for his blog "Whatever," where he discusses writing, politics, and more. Cory Doctorow is both a prolific author and an advocate for internet freedom. His novel Little Brother, a critique of increased surveillance, is frequently used in educational settings. His other novels, like Down and Out in the Magic Kingdom, are known for their examination of digital rights and technology's impact on society. Octavia Butler (1947-2006) was an award-winning author known for her incisive exploration of race, gender, and societal structures within speculative fiction. Her works like the Parable series and Fledgling have continued to influence and inspire readers well into the 21st century. Her final novel, Fledgling, a unique take on vampire mythology, was published in 2005. Peter F. Hamilton is best known for his space opera series such as the Night's Dawn trilogy and the Commonwealth Saga. His work is often noted for its scale, complex plotting, and exploration of advanced technology and alien civilizations. Despite their length, his books are praised for maintaining tension and delivering satisfying conclusions. Ken Liu is a prolific author and translator in science fiction. His short story "The Paper Menagerie" is the first work of fiction to win the Nebula, Hugo, and World Fantasy Awards. As a translator, he's known for bringing Liu Cixin's The Three-Body Problem to English-speaking readers. Ian McDonald is a British author known for his vibrant and diverse settings, from a future India in River of Gods to a colonized Moon in the Luna series. His work often mixes science fiction with other genres, and his narrative style has been praised as vivid and cinematic. He has won several awards, including the Hugo, for his novellas and novels. James S.A. Corey is the pen name of collaborators Daniel Abraham and Ty Franck. They're known for The Expanse series, a modern space opera exploring politics, humanity, and survival across the solar system. The series has been adapted into a critically acclaimed television series. Becky Chambers is praised for her optimistic, character-driven novels. Her debut, The Long Way to a Small, Angry Planet, kickstarted the popular Wayfarers series and was shortlisted for the Arthur C. Clarke Award. Her focus on interpersonal relationships and diverse cultures sets her work apart from more traditional space operas. Yoon Ha Lee's Machineries of Empire trilogy, beginning with Ninefox Gambit, is celebrated for its complex world-building and innovative use of technology. The series is known for its intricate blend of science, magic, and politics. Lee is also noted for his exploration of gender and identity in his works. Ada Palmer's Terra Ignota series is a speculative future history that blends philosophy, politics, and social issues in a post-scarcity society. The first book in the series, Too Like the Lightning, was a finalist for the Hugo Award for Best Novel. Her work is appreciated for its unique narrative voice and in-depth world-building. Charlie Stross specializes in hard science fiction and space opera, with notable works including the Singularity Sky series and the Laundry Files series. His books often feature themes such as artificial intelligence, post-humanism, and technological singularity. His novella "Palimpsest" won the Hugo Award in 2010. Kameron Hurley is known for her raw and gritty approach to science fiction and fantasy. Her novel The Light Brigade is a time-bending military science fiction story, while her Bel Dame Apocrypha series has been praised for its unique world-building. Hurley's work often explores themes of gender, power, and violence. Andy Weir shot to fame with his debut novel The Martian, a hard science fiction tale about a man stranded on Mars. It was adapted into a successful Hollywood film starring Matt Damon. His later works, Artemis and Project Hail Mary, continue his trend of scientifically rigorous, yet accessible storytelling. Jeff VanderMeer is a central figure in the New Weird genre, blending elements of science fiction, fantasy, and horror. His Southern Reach Trilogy, starting with Annihilation, explores ecological themes through a mysterious, surreal narrative. The trilogy has been widely praised, with Annihilation adapted into a major motion picture. Nnedi Okorafor's Africanfuturist works blend science fiction, fantasy, and African culture. Her novella Binti won both the Hugo and Nebula awards. Her works are often celebrated for their unique settings, compelling characters, and exploration of themes such as cultural conflict and identity. Claire North is a pen name of Catherine Webb, who also writes under Kate Griffin. As North, she has written several critically acclaimed novels, including The First Fifteen Lives of Harry August, which won the John W. Campbell Memorial Award for Best Science Fiction Novel. Her works are known for their unique concepts and thoughtful exploration of time and memory. M.R. Carey is the pen name of Mike Carey, known for his mix of horror and science fiction. His novel The Girl With All the Gifts is a fresh take on the zombie genre, and it was later adapted into a film. Carey's works are celebrated for their compelling characters and interesting twists on genre conventions. Greg Egan is an Australian author known for his hard science fiction novels and short stories. His works often delve into complex scientific and mathematical concepts, such as artificial life and the nature of consciousness. His novel Diaspora is considered a classic of hard science fiction. Steven Erikson is best known for his epic fantasy series, the Malazan Book of the Fallen. However, he has also made significant contributions to science fiction with works like Rejoice, A Knife to the Meat. His works are known for their complex narratives, expansive world-building, and philosophical undertones. Vernor Vinge is a retired San Diego State University professor of mathematics and computer science and a Hugo award-winning science fiction author. Although his most famous work, A Fire Upon the Deep, was published in the 20th century, his later work including the sequel, Children of the Sky, has continued to influence the genre. He is also known for his 1993 essay "The Coming Technological Singularity," in which he argues that rapid technological progress will soon lead to the end of the human era. Jo Walton has written several novels that mix science fiction and fantasy, including the Hugo and Nebula-winning Among Others. Her Thessaly series, starting with The Just City, is a thought experiment about establishing Plato's Republic in the ancient past. She is also known for her non-fiction work on the history of science fiction and fantasy. Hugh Howey is best known for his series Wool, which started as a self-published short story and grew into a successful series. His works often explore post-apocalyptic settings and the struggle for survival and freedom. Howey's success has been a notable example of the potential of self-publishing in the digital age. Richard K. Morgan is a British author known for his cyberpunk and dystopian narratives. His debut novel Altered Carbon, a hardboiled cyberpunk mystery, was adapted into a Netflix series. His works are characterized by action-packed plots, gritty settings, and exploration of identity and human nature. Hannu Rajaniemi is a Finnish author known for his unique blend of hard science and imaginative concepts. His debut novel, The Quantum Thief, and its sequels have been praised for their inventive ideas and complex, layered narratives. Rajaniemi, who holds a Ph.D. in mathematical physics, incorporates authentic scientific concepts into his fiction. Stephen Baxter is a British author who often writes hard science fiction. His Xeelee sequence is an expansive future history series covering billions of years. Baxter is known for his rigorous application of scientific principles and his exploration of cosmic scale and deep time. C.J. Cherryh is an American author who has written more than 60 books since the mid-1970s. Her Foreigner series, which began in the late '90s and has continued into the 21st century, is a notable science fiction series focusing on political conflict and cultural interaction. She has won multiple Hugo Awards and was named a Grand Master by the Science Fiction and Fantasy Writers of America. Elizabeth Bear is an American author known for her diverse range of science fiction and fantasy novels. Her novel Hammered, which combines cybernetics and Norse mythology, started the acclaimed Jenny Casey trilogy. She has won multiple awards, including the Hugo, for her novels and short stories. Larry Niven is an American author best known for his Ringworld series, which won the Hugo, Nebula, and Locus awards. In the 21st century, he continued the series and collaborated with other authors on several other works, including the Bowl of Heaven series with Gregory Benford. His works often explore hard science concepts and future history. David Mitchell is known for his genre-blending novels, such as Cloud Atlas, which weaves six interconnected stories ranging from historical fiction to post-apocalyptic science fiction. The novel was shortlisted for the Booker Prize and adapted into a film. His works often explore themes of reality, identity, and interconnectedness. Robert J. Sawyer is a Canadian author known for his accessible style and blend of hard science fiction with philosophical and ethical themes. His Neanderthal Parallax trilogy, which started in 2002, examines an alternate world where Neanderthals became the dominant species. He is a recipient of the Hugo, Nebula, and John W. Campbell Memorial awards. Daniel Suarez is known for his high-tech thrillers. His debut novel Daemon and its sequel Freedom™ explore the implications of autonomous computer programs on society. His books are praised for their action-packed narratives and thought-provoking themes related to technology and society. Kazuo Ishiguro is a Nobel Prize-winning author, known for his poignant and thoughtful novels. Never Let Me Go, published in 2005, combines elements of science fiction and dystopian fiction in a heartbreaking narrative about cloned children raised for organ donation. Ishiguro's work often grapples with themes of memory, time, and self-delusion. Malka Older is a humanitarian worker and author known for her Infomocracy trilogy. The series, starting with Infomocracy, presents a near-future world where micro-democracy has become the dominant form of government. Her work stands out for its political savvy and exploration of information technology. James Lovegrove is a versatile British author, known for his Age of Odin series and Pantheon series which blend science fiction with mythology. His Firefly novel series, based on the popular Joss Whedon TV show, has been well received by fans. He's praised for his engaging writing style and inventive blending of genres. Emily St. John Mandel is known for her post-apocalyptic novel Station Eleven, which won the Arthur C. Clarke Award and was a finalist for the National Book Award and the PEN/Faulkner Award. Her works often explore themes of memory, fate, and interconnectedness. Her writing is praised for its evocative prose and depth of character. Sue Burke's debut novel Semiosis is an engaging exploration of human and alien coexistence, as well as the sentience of plants. The book was a finalist for the John W. Campbell Memorial Award and spawned a sequel, Interference. Burke's work is known for its realistic characters and unique premise. Tade Thompson is a British-born Yoruba author known for his Rosewater trilogy, an inventive blend of alien invasion and cyberpunk tropes set in a future Nigeria. The first book in the series, Rosewater, won the Arthur C. Clarke Award. His works are celebrated for their unique settings and blend of African culture with classic and innovative science fiction themes. Send Your Suggestion First name Last name Email What did you like best? How can we improve? Send Feedback Thanks for sharing your feedback with us!

book excerpt from the science fiction novel Captain Hawkins. Captain Hawkins AMAZON Only the Brave After twenty-four hours of non-stop brutal violence and cruel bloodshed, the soldiers had had no sleep and little food or water. They had repeatedly engaged in hand-to-hand combat against the demonstrators. Even though the soldiers were heavily armed and armored, they had taken serious casualties. Now, tired and angry, everyone they found looked like a rebel. The hospital had been a place of healing—now it became a makeshift prison. In a large observation room, the soldiers sorted people into three groups: the wounded men, a smaller group of women and children, and the medical personnel including Hawkins and Joshua. With bloodthirsty eagerness, the ranking officer repeated, “Take these rebels out and shoot them,” pointing to the first group. As the first group was headed toward the door, Hawkins stepped forward, planted his feet wide apart, and shouted, “Stop, Colonel!” Outraged at the ruthlessness of the order, he put his hands on his hips and said, “You can’t execute these men.” The officer turned toward the disturbance and said harshly, “It is my duty to safeguard the nation. Am I to care for the lives of rebels?” “For the sake of humanity, yes,” said Hawkins, his voice strong and vibrant. With an unyielding stare, he added, “This is still a civilized world, not a lawless state.” Crossing his arms without taking his eyes off the interloper, the immaculately attired colonel seemed disconcerted. Hawkins said, “These men have not been properly charged.” The colonel remained unimpressed. “There are always witnesses to any massacre, Colonel.” Making a grand sweeping gesture with his arms, he added, “Just look around.” The colonel frowned as he surveyed the frightened faces of the women and children. Then seeing the uncertainty on the faces of his own men, his frown deepened into an angry scowl. “Eventually, there’ll be a reckoning,” said Hawkins, waving his hand to take in the hellish carnage throughout the city. “The government will look for scapegoats to justify this harsh reality. It wouldn’t be prudent to be so easily identified with merciless acts.” The colonel stared daggers at Hawkins. For a moment his hand hovered over his pistol, as if he were considering putting a bullet in Hawkins’s head right then. Instead, his eyes narrowed as recognition dawned on his face. He sneered, “Why, I know you. I served with you at Gambaro Ridge.” A smile crept across his face, and he said with a strange blend of sarcasm and irony, “You were killed.” “Not quite,” responded Hawkins with an outlandish grin. “I saw you shot to pieces when you recklessly charged the enemy stronghold,” said the colonel, smirking, and nodding his head. He laughed, “That was insane. You were definitely killed.” “As you say,” said Hawkins, letting a chortle escape his lips. “Your assault gave the rest of us a chance to escape,” the colonel remarked thoughtfully, considering the memory in a new light. Undecided on how to deal with such an uncommon man, the colonel pointed at him and exclaimed to his troops, “Ha! Here’s something you rarely see—a disgruntled ex-Marine.” A roar of laughter erupted from his soldiers. Hawkins threw his head back and laughed as well, “Ha!” The colonel stepped closer to inspect him. A small, jagged scar over his right brow was nearly hidden behind the shock of unkempt sandy brown hair, which draped over his forehead in a careless manner. He was tall with an athletic build, and he stood forward on balls of feet, like a boxer. His strong jaw and intense gray-blue eyes purported an iron will. The colonel remembered Hawkins as a courageous, but utterly reckless, officer. Hawkins recognized the colonel as well. Anthony Rodríguez was swarthy, ruggedly handsome with a broad mustache and a muscular physique. Hawkins remembered him as a fashionable man, his uniform always well-tailored. What he lacked in imagination, Rodríguez made up for as a stickler for protocol, meticulously carrying out orders to further his career. After a long moment, Rodríguez barked, “Don’t be foolish enough to believe I feel any obligation to you. You did your job. Now I’m doing mine.” Throughout the observation room, frightened people waited for the tension to burst. They realized that in many ways their fate was bound together with this tête-à-tête. Rodríguez said, “I don’t believe your battlefield antics were ever acknowledged. Some might have thought you a fool.” Stone faced, Hawkins retorted, “Then you stand here today—alive—as a testament to my folly.” Coloring slightly, Rodríguez took a moment to recall his orders and began parsing the words to extract their broader intent. Finally, he asked, “What are you doing here? Are you a rebel?” “I’m no rebel,” said Hawkins adamantly. “The generators were failing. No technicians were left to bring up the backups, so I was called here to protect the women and children.” “Called here? By whom?” “What does that matter?” asked Hawkins. “I’ll decide what’s important,” Rodríguez snapped. Joshua spoke up, “It was me.” “What was your business here?” “I came to help.” “Help whom? Were you with the demonstrators?” “Yes, but I was looking for my mother . . .” “There. By his own admission, he’s a member of the rebels,” said the colonel delighted at finding something clearly within the bounds of his orders. Joshua tried to explain, “I not a rebel. I just wanted to …” Rodríguez ordered, “Put him with the rest of the rebels.” As the soldiers pulled Joshua away and placed him with the group of rebels, Hawkins said, “He’s just a boy. He was involved in things beyond his understanding.” Rodríguez shot a disdainful look at Hawkins and asked, “Oh! Were things beyond your understanding, when you aided the rebels hiding in this building?” “I came to succor the weak and helpless, as is the duty of any man of honor,” said Hawkins. Offended and enraged, Rodríguez stormed, “No! You were aiding a rebel force attacking our nation’s capital.” “I—was—saving—lives,” spat Hawkins. “Once again!” The veiled reference to Gambaro Ridge made Rodríguez flushed crimson—the emotional cocktail of anger and humiliation was so powerful that his face looked as if it would explode. His voice contorted into a rapid-fire staccato of orders, “Place this man under arrest—along with the rest of these rebels—march them all to prison.” Several pairs of hands reached out and grabbed Hawkins, but as he twisted free several more soldiers joined in the brawl. Six soldiers were as battered and bruised as Hawkins before they managed to pin him down. They bound his wrists and flung him against the wall with the rebels. His dark eyes blazing with contempt, Hawkins’s deep voice boomed, “Anthony Rodríguez, if I survive this barbarity,” he took a deep breath, and said slowly, “I hope to chance upon you—once again.” Other distraught prisoners began yelling their own protestations, but Rodríguez bellowed over the clamor, “Take them away! Take them away!”

excerpt of the book e-Video on deploying video on the Web. e-Video AMAZON Chapter 1 Bandwidth for Video Electronic-Video, or “e-Video”, includes all audio/video clips that are distributed and played over the Internet, either by direct download or streaming video. The problem with video, however, has been its inability to travel over networks without clogging the lines. If you’ve ever tried to deliver video, you know that even after heroic efforts on your part (including optimizing the source video, the hardware, the software, the editing and the compression process) there remains a significant barrier to delivering your video over the Web. That is the “last mile” connection to the client. So before we explain the details of how to produce, capture, edit and compress video for the Web, we had better begin by describing the near term opportunities for overcoming the current bandwidth limitations for delivering video over the Internet. In this chapter, we will describe how expanding broadband fiber networks will reach out to the “last mile” to homes and businesses creating opportunities for video delivery. In order to accomplish this, we will start by quantifing three essential concerns: the file size requirements for sending video data over the Internet, the network fiber capacity of the Internet for the near future and the progress of narrowband (28.8Kbps) to broadband (1.5 Mbps) over the “last mile.” This will provide an understanding of the difficulties being overcome in transforming video from the current limited narrowband streaming video to broadband video delivery. Transitioning from Analog to Digital Technology Thomas Alva Edison’s contributions to the telegraph, phonograph, telephone, motion pictures and radio helped transform the 20th Century with analog appliances in the home and the factory. Many of Edison’s contributions were based on the continuous electrical analog signal. Today, Edison’s analog appliances are being replaced by digital ones. Why? Let’s begin by comparing the basic analog and digital characteristics. Analog signals move along wires as electromagnetic waves. The signal’s frequency refers to the number of time per second that a wave oscillates in a complete cycle. The higher the speed, or frequency, the more cycles of a wave are completed in a given period of time. A baud rate is one analog electric cycle or wave per second. Frequency is also stated in hertz (Hz). (Kilohertz or kHz represents 1000 Hz, MHz represents 1,000,000 Hz and GHz represents a billion Hz). Analog signals, such as voice, radio, and TV involve oscillations within specified ranges of frequency. For example: Voice has a range of 300 to 3300 Hz Analog cable TV has a range of 54 MHz to 750MHz Analog microwave towers have a range of 2 to 12 GHz Sending a signal along analog wires is similar to sending water through a pipe. The further it travels the more force it loses and the weaker it becomes. It can also pick up vibrations, or noise, which introduces signal errors. Today, analog technology has become available world-wide through the following transmission media: 1/. Copper wire for telephone (one-to-one communication). 2/. Broadcast for radio & television (one-to-many communication). 3/. Cable for television (one-to-many communication). Most forms of analog content, from news to entertainment, have been distributed over one or more of these methods. Analog technology prior to 1990, was based primarily on the one-to-many distribution system as show in the Table below where information was primarily directed toward individuals from a central point. Table 1-1 Analog Communication Prior to 1990 Prior to 1990, over 99% of businesses and homes had content reach them from any one of the three transmission delivery systems. Only the telephone allowed two-way communication, however. While the other analog systems where reasonably efficient in delivering content, the client could only send feedback, or pay bills, through ordinary postal mail. Obviously, the interactivity level of this system was very low. The technology used in Coaxial Cable TV (CATV) is designed for the transport of video signals. It is comprised of three systems: AM, FM, and Digital. Since the current CATV system with coaxial analog technology is highly limited in bandwidth new technology is necessary for applications requiring higher bandwidth. In the digital system, a CATV network will get better performance than AM/FM systems and ease the migration from coaxial to a fiber based system. Fiber-optics in CATV networks will eliminate most bottlenecks and increase channel capacity for high speed networks. Analog signals are a continuous variable waveform that are information intensive. They require considerable bandwidth and care in transmission. Analog transmissions over phone lines have some inherent problems when used for sending data. Analog signals lose their strength over long distances and often need to be amplified. Signal processing introduces distortions and become amplified raising the possibility of errors. In contrast to the waveform of analog signals, digital signals are transmitted over wire connections by varying the voltage across the line between a high and a low state. Typically, a high voltage level represents a binary digit 1 and a low voltage level represents a binary digit 0. Because they are binary, digital signals are inherently less complex than analog signals and over long distances they are more reliable. If a digital signal needs to be boosted, the signal is simply regenerated rather than being amplified. As a result, digital signals have the following advantages over analog: Superior quality Fewer errors Higher transmission speeds Less complex equipment The excitement over converting analog to digital media is, therefore, easy to explain. It is motivated by cost-effective higher quality digital processing for data, voice and video information. In transitioning from analog to digital technologies however, several significant changes are also profoundly altering broadcast radio and television. The transition introduces fundamental changes from one way broadcast to two-way transmission, and thereby the potential for interactivity, and scheduling of programming to suit the user’s needs. Not only is there an analog to digital shift, but a synchronous to asynchronous shift as well. Television and radio no longer needs to be synchronous and simultaneous. Rather the viewer and listener can control the time of performance. In addition, transmission can be one of three media: copper wire, cable, or wireless. Also, the receiver is transitioning from a dumb device, such as the television, to an intelligent set-top box with significant CPU power. This potentially changes the viewer from a passive to an interactive participant. Today, both analog and digital video technologies coexist in the production and creative part of the process leading up to the point where the video is broadcast. Currently, businesses and homes can receive content from one to six delivery systems: analog: copper wire (telephones), coaxial cable (TV cable), or broadcast (TV or radio); digital: copper wire (modem, DSL), Ethernet modem, or wireless (satellite). At the present time, analog systems still dominate, but digital systems are competing very favorably as infrastructure becomes available. Analog/digital telephone and digital cable allow two-way communication and these technologies are rapidly growing. The digital systems are far more efficient and allow greater interactivity with the client. Competing Technologies The race is on as cable, data, wireless, and telecommunications companies are scrambling to piece together the broadband puzzle and to compete in future markets. The basic infrastructure of copper wire, cable and satellite, as well as, the packaged contents are in place to deliver bigger, richer data files and media types. In special cases, data transmission over the developing computer networks within corporations and between universities, already exist. Groups vying to dominate have each brought different technologies and standards to the table. For the logical convergence of hardware, software and networking technology to occur the interface of theses industries must meet specific inter-operational capabilities and must achieve customer expectations for quality of service. Long distance and local Regional Bell Operating Companies (RBOC) telephone companies started with the phone system designed for point-to-point communication, POTS (plain old telephones) and have evolved into a large switched, distributed network, capable of handling millions of simultaneous calls. They track and bill accordingly with an impressive performance record. They have delivered 99.999% reliability with high quality audio. Their technology is now evolving toward DSL (Digital Subscriber Line) modems. AT&T has made significant progress in leading broadband technology development now that it has added the vast cable networks of Tele-Communications Inc. and MediaOne Group to telephone and cellular. Currently, AT&T with about 45% of the market can plug into more U.S. households than any other provider. But other telecommunications companies, such as Sprint and MCI, as well as, the regional Bell operating companies, are also capable of integrating broadband technology with their voice services. Although both routing and architecture of the telephone network has evolved since the AT&T divestiture, the basics remain the same. About 25,000 central offices in the U.S. connect through 1200 intermediate switching nodes, called access tandems. The switching centers are connected by trunks designed to carry multiple voice frequency circuits using frequency division multiplexing (FDM), or synchronous time-division multiplexing (TDM), or wavelength division multiplexing (WDM) for optics. The cable companies Time Warner, Comcast, Cox Communications and Charter Communications have 60 million homes wired with coaxial cable primarily one-way cable offering one-to-many broadcast service. Their technology competes through the introduction of cable modems and the upgrade of their infrastructure to support two-way communication. The merger between AOL and Time Warner demonstrates how Internet and content companies are finding ways to converge. Cable television networks currently reaches 200 million homes. On the other hand, satellite television can potentially reach 1 billion homes. These will offer nearly complete coverage of the U.S., digital satellite is also competing. DirecTV, has DirecPC, which can beam data to a PC. Its rival, EchoStar Corp., is working with interactive TV player, TiVo Inc., to deliver video and data service to a set-top box. However, satellite is currently not only a one-way delivery system, but is also the most expensive in the U.S. In regions of the world outside the U.S. where the capital investment in copper wires and cable has yet to be made, satellite may have a better competitive opportunity. The Internet itself doesn’t own its own connections. Internet data traffic passes along the copper, fiber, coaxial cable, and wireless transmission of the other industries as a digital alternative to analog transmissions. The new media is being built to include text, graphics, audio, and video across platforms of television, Internet, cable and wireless industries. The backbone uses wide area communications technology, including satellite, fiber, coaxial cable, copper and wireless. Data servers mix mainframes, workstations, supercomputers, and microcomputers and a diversity of clients populate the end-points of the networks including; conventions PCs, palmtops, PDAs, smart phones, set-top boxes, and TVs. Figure 1-1 Connecting the backbone of the Internet to Your Home Web-television hybrids, such as, WebTV provide opportunities for cross-promotion between television and Internet. Independent developers may take advantage of broadcast-Internet synergy by creating shows to targeted audiences Clearly, the future holds a need for interaction between the TV and the Internet. But will it appear as TV quality video transmitted over the Internet and subsequently displayed on a TV set. Or, alternatively, as URL information embedded within existing broadcast TV set pictures. Perhaps both. Streaming Video Streaming is the ability to play media, such as audio and video, directly over the Internet without downloading the entire file before play begins. Digital encoding is required to convert the analog signal into compressed digital format for transmission and playback. Streaming videos send a constant flow of audio/video information to their audience. While streaming videos may be archived for on-demand viewing, they can also be shown in real-time. Examples include play-by-play sports events, concerts and corporate board meetings. But a streaming video offers more than a simple digitized signal transmitted over the Internet. It offers the ability for interactive audience response and unparalleled form of two-way communication. The interactive streaming video process is referred to as Webcasting. Widespread Web-casting will be impractical, however, until audiences have access rates of a minimum of 100 Kbps or faster. Compression technology can be expected to grow more powerful, significantly reducing bandwidth requirement. By 2006 the best estimates indicate that 40 Million homes will have cable modems and 25 Million DSL connections with access rates of 1.5 Mbps. We shall see in Chapters 5, 6 and 7 how the compression codecs and software standards will competitively change “effective” Internet bandwidth and the quality of delivered video. The resultant video quality at a given bandwidth is highly dependent upon the specific video compressor. The human eye is extremely non-linear and its capabilities are difficult to quantify. The quality of compression, specific video application, typical content, available bandwidth, and user preferences all must be considered when evaluating compressor options. Some optimize for “talking heads” while other optimize for motion. To date, the value of streaming video has been primarily the rebroadcast of TV content and redirected audio from radio broadcasts. The success of these services to compete with traditional analog broadcasts will depend upon the ability of streaming video producers to develop and deliver their content using low cost computers that present a minimal barrier to entry. Small, low cost independent producers will effectively target audiences previously ignored. Streaming videos steadily moving toward the integration of text, graphics, audio, and video with interactive on-line chat will find new audiences. In Chapter 2, we present business models to address business’s video needs. Despite these promising aspects, streaming video is still a long way from providing a satisfactory audio/video experience in comparison to traditional broadcasts. The low data transmission rates are a severe limitation on the quality of streaming videos. While a direct broadcast satellite dish receives data at 2 Mbps, an analog modem is currently limited to 0.05 Mbps. The new cable modems and ADSL are starting to offer speeds competitive with satellite, but they will take time to penetrate globally. Unlike analog radio and television, streaming videos requires a dynamic connection between the computer providing the content to the viewer. Current computer technology limits the viewing audience to up to 50,000. While strategies to overcome this with replicating servers may increase audiences, this too will take effort. The enhancement of data compression reduces the required video data streaming rates to more manageable levels. The technology has only recently reached the point where video can be digitized and compressed to levels which allow reasonable appearance during distribution over digital networks. Advances continue to come, improving look and delivery of video. Calculating Bandwidth Requirements So far we have presented the advantages of digital techology, unfortunately there is one rather large disadvantage - bandwidth limitations. Let’s try some simple math that illustrates the difficulties. Live, or on-demand, streaming video and/or audio is relatively easy to encode. The most difficult part is not the encoding of the files. It is determining what level of data may be transmitted. The following Table contains information that will help with some basic terms and definitions: Why the difference between Kbps and KB/sec? File sizes on a hard drive are measured in Kilobytes (KB). But the data that transferred over a modem is measured in Kilobits per second (Kbps) because it's comparatively slower than a hard drive. In the case of a 28.8Kbps modem the maximum data transfer rate is 2.5 KB/sec even through the calculated rate is 28.8Kbs / 8 bits in a byte = 3.6KB/sec. This is because there is approximately a 30% losses of transmission capabilities lost due to Internet “noise.” This is due to traffic congestion on the web and more than one surfer requesting information on the same server. The following Table 1-4 provides information concerning the characteristics of video files. This includes pixels per frame and frames per file (film size file). We can use the information in Table 1-4 to compare to some simple calculations. We will use the following formula to calculate the approximate size in Megabytes of a digitized video file: (pixel width) x (pixel height) x (color bit depth) x (fps) x (duration in seconds) 8,000,000 (bits / MB) For three minutes of video at 15 frames per second with a color bit depth of 24-bit in a window that is 320x240 pixels, the digitized source file would be approximately 622 Megabytes: (320) x (240) x (24) x (15) x (180) / 8,000,000 = 622 Megabytes We will see in chapter 4, how data compression will significantly reduce this burden. Now that we have our terms defined, let's take the case of a TV station that wants to broadcast their channel live 24hrs a day for a month over the web to a target audience of 56 Kbps modem users. In this case, a live stream generates a 4.25KB/sec since a 56Kbps file transfers at 4.25KB/sec. So how much data would be transferred in a 24 hr period if one stream was constantly being used? ANSWER = 4.25 KB/sec * (number of seconds in a day) * 30 days per month = 11 GB/month So, one stream playing a file encoded for 56 Kbs for 24hrs a day will generate 11 gigabytes in a month. How is this figure useful? This figure becomes important if you can estimate the average number of viewers in a month, then you can estimate the total amount of data that will be transferred from your process. Ultimately the issue becomes one of the need for sufficient backbone infrastructure to carry many broadcasts to many viewers across the networks. For HDTV with a screen size of 1080x1920 and 24-bit color, a bandwidth of 51.8 Mbps is required. This is a serious amount of data flow to route around the Internet to millions of viewers. Transitioning from Narrowband to Broadband In telecommunications, bandwidth refers to data capacity of a channel. For an analog service, the bandwidth is defined as the difference between the highest and lowest frequency within which the medium carries traffic. For example, cabling that carries data between 200 MHz and 300 MHz has a bandwidth of 100MHz. In addition to analog speeds in hertz (Hz) and digital speeds in bits per second (bps), the carrying rate is sometimes categorized as narrowband and broadband. It is useful to relate this to an analogy in which wider pipes carry more water. TV and cable are carried at broadband speeds. However, most telephone and modem data traffic from the central offices to individual homes and businesses are carried at slower narrowband speeds. This is usually referred to as the “last mile” issue. The definitions for narrowband and broadband vary within the industries, but are summarized for our purposes as: Narrowband refers to rates less than 1.5 Mbps Broadband refers to rates at or beyond 1.5 Mbps A major bottleneck of analog services exists between cabling of residents and telephone central offices. Digital Subscriber Line (DSL) and cable modem are gaining in availability. Cable TV companies are investing heavily in converting their cabling from one-way only cable TV to two-way systems for cable modems and telephones. In contrast to the “last-mile” for residential areas, telephones companies are laying fiber cables for digital services from their switches to office buildings where the high-density client base justifies the additional expense. We can appreciate the potential target audience for video by estimating; how fast the “last mile” bandwidth demand is growing. Because installing underground fiber costs more than $20,000 per mile, fiber only makes sense for businesses and network backbones. Not for “last mile” access to homes. Table 1-5 shows the estimated number of users connected at various modem speeds in 1999 and 2006. High-speed consumer connections are now being implemented through cable modems and digital subscriber lines (DSL). Approximately 1.3 million home had cable modems by the end of 1999 in comparison to 300,000 DSL connections primarily to businesses. By 2006, we project 40 million cable modems and 25 million DSL lines. Potentially data at the rate of greater than one megabit per second could be delivered to over 80 per cent of more than 550 million residential telephone lines in the world. Better than one megabit per second can also be delivered over fiber/coax CATV lines configured for two-way transmission, to approximately 10 million out of 200 million total users (though these can be upgraded). In2000, the median bandwidth in the U.S. is less than 56. This is de facto a narrowband environment. But worldwide there is virtually limitless demand for communications as presented by the following growth rates: The speed of computer connections is soaring. The number of connections at greater than 1.5 Mbps is growing at 45% per year in residential areas and at 55% per year in business areas. Because of improving on-line experience, people will stay connected about 20% longer per year. As more remote areas of the world get connected, messages will travel about 15% father a year. The number of people online worldwide in 1999 was 150 million, but the peak Internet load was only 10% and the actual transmission time that data was being transferred, was only 25% of that number. With the average access rate of 44 kbps this indicates an estimate of about 165 Gbps at peak load. In 2006 there will be about 300 million users and about 65 million of these will have broadband (>1.5 Mbps) access. With the addition of increased peak load and increased actual transmission time, this will result in an estimated usage of about 16.5 Tera-bits per second of data processing. It all adds up to a lot of bits. It leads to a demand for total data communications in 2006 of nearly a100-fold increase over 1999. With the number of new users connecting to the Internet growing this fast can the fiber backbone meet this demand? Figure 1-2 answers this question. Figure 1-2 shows the growth in Local Area Networks (LANs) from 1980 to 2000 with some projection into the next decade. In addition, the Internet capacity is shows that over the last few decades and indicates the potential growth rate into the next decade. The jump up in Internet capacity due to Dense Wavelength Division Multiplexing (DWDM) is a projection of the multiply effect of this new technology. As a result this figure shows that we can expect multi-Tera-bit per second performance from the Internet backbone in the years ahead. This will meet the projected growth in demand. Great! But, what about that “last mile” of copper, coax, and wireless? The “last mile” involves servers, networks, content and transitions from narrow to broadband. Initially, the “last mile” will convert to residential broadband not as fiber optics, but as a network overlaid on existing telephone and cable television wiring. One megabit per second can be delivered to over 80 % or more of 550 million residential telephone lines in the world. It can also be delivered over all fiber/coax CATV lines configured for two-way service. The latter represents a small fraction of the worldwide CATV lines however, requiring only 10 million homes out of 200 million. But upgrade programs will convert the remainder in 5 years. The endgame of the upgrade process may be fiber directly to the customer’s home, but not for the next decade or two. A fiber signal travels coast to coast in 30 ms and human latency (period to achieve recognition) is about 50 milliseconds. Thus fiber is the only technology to deliver viewable HDTV video. However, due to the cost and man-power involved, we’re stuck with the “last mile” remaining copper, coax and wireless for a while yet. The Table 1-7 below summarizes how the five delivery approaches for analog and digital technologies will co-exist for the next few years. In chapter 8, we will present network background on the technologies and standards and revisit this table in more detail. One-way * (FFTH is fiber to the home, FTTC is fiber to the curb, MPEG-2 is a compression standard see chapter 4, ATM is Asynchronous Transfer Mode see chapter 8, TDM is Time Division Multiplexing see chapter 8). Preparing to Converge To be fully prepared to take advantage of the converging technologies, we must ask and answer the right questions. This is not as easy as it might seem. We could ask, “Which company will dominate the broadband data and telecommunication convergence?” But this would be inadequate because the multi-trillion dollar world e-commerce market is too big for any one company to monopolize. We could ask, “Which broadband networks will dominate the Internet backbone?” But this would be inadequate because innovative multiplexing and compression advances will make broadband ubiquitous and subservient to the “last mile” problem. We could ask, “Which transmission means (cable, wireless, or copper) will dominate the “last mile”?” But this would be inadequate because the geographical infrastructure diversity of these technologies throughout the world will dictate different winners in different regions of the world demonstrating this as a “local” problem. Individually, these questions address only part of the convergence puzzle. It is e-commerce’s demand for economic efficiency that will force us to face the important q estion of the telecommunication convergence puzzle. “What are meaningful broadband cross-technology standards?” Without globally accepted standards, hardware and software developers can’t create broad solutions for consumer demand. As a result, we will be concerned throughout this book in pointing out the directions and conflicts that various competing standards are undertaking. Conclusion In this chapter, we presented the background of analog technology’s transition toward digital technology. This chapter provided a calculation that illustrated why digital video data is such a difficult bandwidth problem. It evaluated the rate of change of conversion from narrowband connections to broadband. This rate establishing a critical perspective on the timeline of the demand for Internet video. On the basis of this chapter, you should conclude that: The Internet backbone combination of fiber and optical multiplexing will perform in the multi-Tera-bps range and provide plenty of network bandwidth in the next few years. The “last mile” connectivity will remain twisted pair, wireless, and coax cable for the next few years, but broadband (1.5Mbps) access through cable modems and x-DSL will grow to 40 million users in just a few years. Streaming video was identified as the crossroads of technology convergence. It is the bandwidth crisis of delivering video that will prove decisive in setting global standards and down-selecting competing technologies. The success of streaming video in its most cost-effect and customer satisfying form will define the final technology convergence model into the 21st Century

H. Peter Alesso wrote a self portrait to reveal his history and experiences that helped him on his writing journey. My Story I love words, but that wasn't always the case. I grew up with a talent for numbers, leading me to follow a different path. I went to Annapolis and MIT and became a nuclear physicist at Lawrence Livermore National Laboratory. Only after retiring was my desire to tell stories reawakened. In recent years, I have immersed myself in the world of words, drawing on my scientific knowledge and personal experience to shape my writing. As a scientist, I explored physics and technology, which enabled me to create informative and insightful books, sharing my knowledge with readers who sought to expand their understanding in these areas—contributing to their intellectual growth while satisfying my own passion. But it was my time as a naval officer, that genuinely ignited my imagination and propelled me into science fiction. After graduating from the United States Naval Academy and serving on nuclear submarines during both hot and cold wars, I witnessed firsthand the complexities and challenges of military operations that seamen face daily. This allowed me a unique perspective, which I channeled into creating Henry Gallant and a 22nd-century world where a space officer fought against invading aliens. Through this narrative, I explored the depths of human resilience, the mysteries of space, and the intricacies of military conflict. My stories let me share the highlights of my journey with you. I hope you enjoy the ride. 1/9 Contact First name* Last name Email* Write a message Submit

Excerpt from the eighth book in the Henry Gallant Saga, Rear Admiral Henry Gallant. Rear Admiral Henry Gallant AMAZON Chapter 1 Far Away Captain Henry Gallant was still far away, but he could already make out the bright blue marble of Earth floating in the black velvet ocean of space. His day was flat and dreary. Since entering the solar system, he had been unable to sleep. Instead, he found himself wandering around the bridge like a marble rattling in a jar. His mind had seemingly abandoned his body to meander on its own, leaving his empty shell to limp through his routine. He hoped tomorrow would bring something better. I’ll be home soon, he thought. A welcoming image of Alaina flashed into his mind, but it was instantly shattered by the memory of their last bitter argument. The quarrel had occurred the day he was deployed to the Ross star system and had haunted him throughout the mission. Now that incident loomed like a glaring threat to his homecoming. As he stared at the main viewscreen of the Constellation, he listened to the bridge crew’s chatter. “The sensor sweep is clear, sir,” reported an operator. Gallant was tempted to put a finger to his lips and hiss, “shh,” so he could resume his brooding silence. But that would be unfair to his crew. They were as exhausted and drained from the long demanding deployment as he was. They deserved better. He plopped down into his command chair and said, “Coffee.” The auto-server delivered a steaming cup to the armrest portal. After a few gulps, the coffee woke him from his zombie state. He checked the condition of his ship on a viewscreen. The Constellation was among the largest machines ever built by human beings. She was the queen of the task force, and her crew appreciated her sheer size and strength. She carried them through space with breathtaking majesty, possessing power and might and stealth that established her as the quintessential pride of human ingenuity. They knew every centimeter of her from the forward viewport to the aft exhaust port. Her dull grey titanium hull didn’t glitter or sparkle, but every craggy plate on her exterior was tingling with lethal purpose. She could fly conventionally at a blistering three-tenths the speed of light between planets. And between stars, she warped at faster than the speed of light. Even now, returning from the Ross star system with her depleted starfighters, battle damage, and exhausted crew, she could face any enemy by spitting out starfighters, missiles, lasers, and plasma death. After a moment, he switched the readout to scan the other ships in the task force. Without taking special notice, he considered the material state of one ship after another. Several were in a sorrowful dysfunctional condition, begging for a dockyard’s attention. He congratulated himself for having prepared a detailed refit schedule for when they reached the Moon’s shipyards. He hoped it would speed along the repair process. Earth’s moon would offer the beleaguered Task Force 34, the rest and restoration it deserved after its grueling operation. The Moon was the main hub of the United Planets’ fleet activities. The Luna bases were the most elaborate of all the space facilities in the Solar System. They performed ship overhauls and refits, as well as hundreds of new constructions. Luna’s main military base was named Armstrong Luna and was the home port of the 1st Fleet, fondly called the Home Fleet. Captain Julie Ann McCall caught Gallant’s eye as she rushed from the Combat Information Center onto the bridge. There was a troubled look on her face. Is she anxious to get home too? Was there someone special waiting for her? Or would she, once more, disappear into the recesses of the Solar Intelligence Agency? After all these years, she’s still a mystery to me. McCall approached him and leaned close to his face. In a hushed throaty voice, she whispered, “Captain, we’ve received an action message. You must read it immediately.” Her tight self-control usually obscured her emotions, but now something extraordinary appeared in her translucent blue eyes—fear! He placed his thumb over his command console ID recognition pad. A few swipes over the screen, and he saw the latest action message icon flashing red. He tapped the symbol, and it opened. TOP SECRET: ULTRA - WAR WARNING Date-time stamp: 06.11.2176.12:00 Authentication code: Alpha-Gamma 1916 To: All Solar System Commands From: Solar Intelligence Agency Subject: War Warning Diplomatic peace negotiations with the Titans have broken down. Repeat: Diplomatic peace negotiations with the Titans have broken down. What this portends is unknown, but all commands are to be on the highest alert in anticipation of the resumption of hostilities. Russell Rissa Director SIA TOP SECRET: ULTRA - WAR WARNING He reread the terse communication. As if emerging from a cocoon, Gallant brushed off his preoccupation over his forthcoming liberty. He considered the possibilities. Last month, he sent the sample Halo detection devices to Earth. He hoped that the SIA had analyzed the technology and distributed it to the fleet, though knowing government bureaucracy, he guessed that effort would need his prodding before the technology came into widespread use. Still, there should be time before it becomes urgent. The SIA had predicted that the Titans would need at least two years to rebuild their forces before they could become a threat again. Could he rely on that? Even though he was getting closer to Earth with every passing second, the light from the inner planets was several days old. Something could have already transpired. There was one immutable lesson in war: never underestimate your opponent. A shiver ran down his spine. This is bad. Very bad! Gone was the malaise that had haunted him earlier. Now, he emerged as a disciplined military strategist, intent on facing a major new challenge. Looking expectantly, he examined McCall’s face for an assessment. Shaking her head, she hesitated. “The picture is incomplete. I have little to offer.” Gallant needed her to be completely open and honest with him, but he was unsure how to win that kind of support. He rubbed his chin and spoke softly, “I’d like to tell you a story about a relationship I’ve had with a trusted colleague. And I’d like you to pretend that you were that colleague.” McCall furrowed her brow, but a curious gleam grew in her eyes. He said, “I’ve known this colleague long enough to know her character even though she has been secretive about her personal life and loyalties.” McCall inhaled and visibly relaxed as she exhaled. Her eyes focused their sharp acumen on Gallant. “She is bright enough to be helpful and wise enough not to be demanding,” continued Gallant. “She has offered insights into critical issues and made informed suggestions that have influenced me. She is astute and might know me better than I know myself because of the tests she has conducted. When I’ve strayed into the sensitive topic of genetic engineering, she has soothed my bumpy relationship with politicians.” He hesitated. Then added, “Yet, she has responsibilities and professional constraints on her candidness. She might be reluctant to speak openly on sensitive issues, particularly to me.” McCall’s face was a blank mask, revealing no trace of her inner response to his enticing words. He said, “If you can relate to this, I want you to consider that we are at a perilous moment. It is essential that you speak frankly to me about any insights you might have about this situation.” She swallowed and took a step closer to Gallant. Their faces were mere centimeters apart. “Very well,” she said. “The Chameleon are a spent force. After the loss of their last Great Ship, they are defenseless. They agreed to an unconditional surrender. They might even beg for our help from the Titans. Their moral system is like ours and should not be a concern in any forthcoming action. However, the Titans have an amoral empathy with other species.” He gave an encouraging nod. She added, “Despite the defeat of Admiral Zzey’s fleet in Ross, the Titans remain a considerable threat. They opened peace negotiations ostensibly to seek a treaty with a neutral zone between our two empires. But we can’t trust them. They are too aggressive and self-interested to keep any peace for long. One option they might try is to eliminate the Chameleon while they have the opportunity. Another is to rebuild their fleet for a future strike against us. However, the most alarming possibility would be an immediate attack against us with everything they currently have. They might even leave their home world exposed. But that would only make sense if they could achieve an immediate and overwhelming strategic victory.” Gallant grimaced as he absorbed her analysis. She concluded, “This dramatic rejection of diplomacy can only mean that they are ready to reignite the war—with a vengeance. They will strike us with swift and ruthless abandon.” Gallant turned his gaze toward the bright blue marble—still far away.

Excerpt from book 3 of the Henry Gallant Saga, Henry Gallant and the Warrior. Henry Gallant and the Warrior AMAZON Going Up 1 Lieutenant Henry Gallant plodded along the cobblestone streets of New Annapolis—head down, mind racing . . . My orders say take command of the Warrior immediately . . . but no promotion . . . Why not? He pondered the possibilities, but he already knew the answer. Though he had steely gray eyes, a square jaw, and was taller than nearly everyone around him, what distinguished him most was not visible to the naked eye—he was a Natural—born without genetic engineering. Is this my last chance to prove myself? By the time he reached the space elevator, the welcoming breeze of the clear brisk morning had brightened his mood and he fell into line behind the shipyard personnel without complaint. Looking up, he marveled: That cable climbs into the clouds like an Indian rope trick. When it was his turn at last, the guard scanned his comm pin against the access manifest. The portal light blinked red. “Pardon, sir. Access denied,” said the grim-faced sentry. “Call the officer of the guard,” demanded Gallant. The officer of the guard appeared but was no more inclined to pass Gallant through than the sentry was. The guard touched the interface panel and made several more entries, but the portal continued to blink red. “There’s a hold on your access, sir.” Trouble already? Gallant thought. Then he asked, “A hold?” “Yes, sir. Your clearance and authorization are in order, but SIA has placed a hold on your travel. They want you to report to SIA headquarters, A.S.A.P.” “I need to go to the shipyard and attend to important business before going to the Solar Intelligence Agency,” clarified Gallant, but even as he said it, he knew it wouldn’t help. “Sorry, sir. Orders.” Gallant noticed the four gold stripes of a captain’s sleeve. The officer was waiting to take the next elevator. “Captain?” he said, hailing the man before he recognized him. Captain Kenneth Caine of the Repulse marched to the guard post, frowning. “What can I do for you, Gallant?” Of all the luck, he thought. Caine was the last person he wanted to impose upon, but it was too late now. Several uncomfortable moments passed with the three of them standing there—Caine, Gallant, and the officer of the guard—staring at each other, waiting for someone to break the silence. Finally, Gallant addressed Caine: “Well, sir, I’ve received orders to take command of the Warrior, but apparently all the T’s haven’t been crossed and my shipyard access has a hold from SIA.” Caine’s frown deepened. Gallant turned to the officer of the guard and said, “Is it possible to allow me go to my ship and complete my business? I’ll report to SIA immediately afterward.” The officer of the guard fidgeted and squirmed. He understandably did not like being placed in such a position while under the scrutiny of a full captain. Caine shrugged. Gallant was puzzled for a moment, wondering how to win Caine’s support. He tried the officer of the guard again, “Perhaps, you could send a message to SIA headquarters stating that you informed me of my requirement to report and that I agreed to attend this afternoon after I assume command of my ship. I’ll initial it.” Caine nodded. The guard brightened visibly. “That should be acceptable, sir.” He made a few entries into his interface panel and the portal finally blinked green. Gallant stepped through the gate and joined Caine. Together they walked to the elevator doors and mingled with the group waiting for the next available car. “Thank you for your help, captain,” said Gallant. “I’m sorry to have troubled you.” Caine merely nodded. Unwilling to miss the opportunity to reconnect with his former commanding officer, Gallant asked, “How’ve you been, sir?” Caine’s frown returned. “Well, personally, it’s been quite a trial . . .” Gallant resisted the temptation to coax him onward. After a minute, Caine revealed, “I lost a lot of shipmates during the last action.” He sighed and took a moment to silently mourn their passing. “I’m sorry, sir,” said Gallant, who was sensitive to the prickling pain in Caine’s voice. Gallant then took a long look at the senior officer. He recalled a mental image of his former commanding officer—solidly built and squared shouldered with a crew-cut and a craggy face. In contrast, the man before him now was balding and flabby, with a puffy face and deep frown lines. “Humph,” grumbled Caine, recognizing Gallant’s critical stare. “You’ve changed too. You’re no longer the lanky callow midshipman who reported aboard the Repulse nearly five years ago.” “Thank you, sir,” said Gallant, breaking into an appreciative smile. Caine returned the smile and, warming to the conversation, he said, “We had a few good times back then—and a few victories as well—a good ship, a good crew.” A minute passed before Caine added, “As for the Repulse—she’s suffered along with her crew . . . perhaps more than her fair share. As you know, she’s has been in the forefront of battle since the beginning of the war, but when the Titans attacked Jupiter Station earlier this year, we took a terrible beating—along with the rest of the fleet.” Caine’s face went blank for a few seconds as he relived the event. “ The Titans used nuclear weapons to bombard the colonies. The loss of life was staggering. Jupiter’s moons are now lifeless, scorched rocks. The colonists fled on whatever transport they could find and they’re now in the refugee camp on the outskirts of this city,” said Caine. Then, trying to sound optimistic but unable to hide his concern, he added, “We gave the Titans some lumps as well. It’ll be some time before they can trouble us on this side of the asteroid belt.” “So I understand, sir.” SWOOSH! BAM! The elevator car doors opened with a loud bang. Caine stepped inside. Gallant grabbed the strap and buckled himself into the adjacent acceleration couch. A powerful engine pulled the glass-encased car along a ribbon cable anchored to the planet’s surface and extended to the Mars space station in geostationary orbit. A balance of forces kept the cable under tension while the elevator ascended—gravity at the lower end and the centripetal force of the station at the upper end. The tiny vehicle accelerated swiftly to seven g’s and reached orbit in less than ten minutes before braking to docking speed. Gallant enjoyed a spectacular view as the car sped through the clouds. Below him was the receding raw red and brown landscape of Mars spread over the planet’s curvature; above him was one of man’s most ambitious modern structures; —a space station, replete with a shipyard that housed the newest space vessels under construction including Gallant’s new command, the Warrior, as well as ships in need of repair, including the Repulse. Gallant tried to pick out his minute ship against the much larger battle cruisers nested near it, but the rotation of the station hid it from view. “Repulse is completing extensive repairs. She’ll be back in action before long. I have a fierce loyalty to my ship and I know she’ll acquit herself well, no matter what comes,” said Caine. “I’m sure she will, sir,” said Gallant. “I haven’t congratulated you on your first command, yet” Caine said, extending his hand. “You’ve earned it.” “Thank you, sir,” said Gallant, shaking hands, while a thought flashed through his mind, If I earned command, why wasn’t I promoted? “Do you have any idea of your first assignment, yet?” “No, sir. It could be almost anything,” said Gallant, but he was thinking, Probably involves the Warrior’s special capabilities. Caine said, “At least you’ll get a chance to strike the enemy.” Gallant said, “We still know so little about the aliens’ origins or intentions. Since they’ve taken Jupiter, they’ve expanded their bases from the satellites of the outer planets. They’ve also penetrated into the asteroids. That puts them in a position to launch raids here.” Caine said, “I once asked you, ‘What’s the single most important element in achieving victory in battle?’” “Yes, sir, and my answer is the same: surprise.” “Yes,” Caine said, “but to achieve surprise, it’s essential for us to gather more intelligence.” “I agree, sir.” “Tell me, Gallant,” Caine said, as he shifted position, “are you aware there are many people who hold you in contempt? They still doubt that a Natural can serve in the fleet.” Gallant grimaced. “I’ve always done my duty to the best of my ability, sir.” “And you have done admirably, from what I know of your actions, but that hasn’t fazed some. I’ve heard little about your last mission.” “I can’t discuss that mission, sir. It’s been classified as need-to-know under a special compartment classification,” said Gallant, as he thought, I wish I could tell you about the AI berserker machine. I can only imagine what’s in store for the Warrior. “Nevertheless, I’ve heard that Anton Neumann was much praised for that mission. He was promoted to full commander and given the cruiser Achilles, though, I wouldn’t be surprised if his father’s influence played a role in that.” Gallant said nothing, but stared down at his shoes, Neumann always wins. Caine grunted and then said, “Neither of us is in good standing with Anton’s father.” Caine and Gallant had previously run afoul of Gerome Neumann, President of NNR, Shipping and Mining Inc., and an industrial and government powerbroker. Gallant nodded. Upon arriving at the space station platform, the elevator car doors opened automatically and once again banged loudly. SWOOSH! BAM! A long, enclosed tunnel formed the central core of the station with twenty-four perpendicular arms that served as docking piers. The tunnel featured many windows and access ports to reach the twenty-four ships that extended from the docking arms. The two men chatted about the war news while they rode a tram along the tunnel causeway. Finally, Gallant left Caine at the Repulse and continued to his new command. A swarm of workmen buzzed along the Warrior’s scaffolding, cranes hauled machinery to and fro, and miscellaneous gear lay haphazardly about. An infinite amount of preparation was under way, servicing the ship in anticipation of her departure. Gallant gaped . . . There she is. He leaned forward to take in every line and aspect of the ship. Despite the distractions, he saw the ship as a thing of exquisite beauty. The Warrior featured a smooth rocket shaped hull and while she was smaller than her battle cruiser neighbors, she weighed thirty-thousand tons with an overall length of one hundred and twenty meters and a beam of forty meters. She was designed with stealth capability, so she emitted no detectable signals and remained invisible until her power supply required recharging. Her armament included a FASER cannon, several short-range plasma weapons, and several laser cannons. She was equipped with an armor belt and force shield plus electronic warfare decoys and sensors. The ship’s communications, navigation, FTL propulsion, and AI computer were all state-of-the-art. The crew of 126 officers and men, was highly trained and already on board. When the Warrior traveled through the unrelenting and unforgiving medium of space it would serve as the crew’s heartfelt home. The brief, relaxed sense of freedom that Gallant had enjoyed between deployments was coming to an end; his shoulders tightened in anticipation. He stepped onto the enclosed gangplank and saluted the flag that was displayed on the bow. Then he saluted the officer of the watch and asked, “Request permission to come aboard, sir?” “Permission granted, sir,” said Midshipman Gabriel in a gravelly voice that was totally at odds with his huge grin, dimpled cheeks, and boyish freckled face. Was I ever that young? thought Gallant before he recalled he was only a few years older. Boarding the ship, Gallant’s eyes widened as he sought to drink everything in. He was impressed by the innovative technologies that had been freshly installed. The novelty of his role on this ship was not lost on him. Upon reaching the bridge, he ordered Gabriel to use the ship’s intercom to call the crew to attention. “All officers, report to the bridge!” Gabriel ordered. When the officers had gathered around him a minute later, he said, “All hands, attention!” Drawn together on every deck, the crew stopped their work, came to attention, and listened. Gallant recited his orders, “Pursuant to fleet orders, I, Lieutenant Henry Gallant, assume command of the United Planet ship, Warrior, on this date at the Mars’ Space Station.” He continued reciting several more official paragraphs, but from that moment forward, the Warrior was a member of the United Planets’ fleet and Gallant was officially her commanding officer. With the formal requirements concluded, Gallant spoke over the address system: “At ease. Officers and crew of the Warrior, I’m proud to serve with you. I look forward to getting to know each one of you. For now, we must outfit this ship and prepare to do our job as part of the fleet. There are battles to be fought, a war to win, and the Warrior has a key role to play.” Satisfied with his brief statement, Gallant nodded to Gabriel. Over the address system Gabriel announced, “Attention! All hands dismissed! Return to your regular duties.” Gallant stood before the officers on the bridge, addressed each by name and shook their hands, starting with the executive officer and then the department heads; operations, engineering, and weapons; followed by the junior officers. His first impression was that they were an enthusiastic and professional group. “I will provide prioritized work items for each of you to address in the next few days as we prepare for our upcoming shakedown cruise. For now, you can return to your duties. Thank you.” Gallant entered the Combat Information Center and pulled on a neural interface to the ship’s AI. The dozens of delicate silicon probes touched his scalp at key points. It sensitively picked up wave patterns emanating from his thoughts and allowed him to communicate with the AI directly. Gallant formed a mental image of the Warrior's interior. While Gallant could use the interface for evaluating the ship’s condition, the controls remained under manual control. He hashed out his priorities for his department heads to work on and sent them messages. He ordered them to address the myriad of items he had been mentally considering for hours. While he would have liked to have had a discussion with each officer individually, that would simply have to wait. It was time to get back to the space elevator. Gallant frowned in frustration at being pulled away by his appointment: I’d better hustle to SIA.

Excerpt from the second book in the Henry Gallant Saga, Lieutenant Henry Gallant. Lieutenant Henry Gallant 1 RUN AMAZON Gallant ran—gasping for breath, heart pounding—the echo of his footsteps reverberated behind him. He hoped to reach the bridge, but hope is a fragile thing. Peering over his shoulder into the dark, he tripped on a protruding jagged beam, one of the ship’s many battle scars. As he crashed to the deck, the final glow of emergency lights sputtered out, leaving only the pitch black of power failure—his failure. He lay still and listened to the ship’s cries of pain; the incessant wheezing of atmosphere bleeding from the many tiny hull fissures, the repetitious groaning of metal from straining structures, and the crackling of electrical wires sparking against panels. Thoughts flashed past him. How long will the oxygen last? He was reluctant to guess. Where are they? The clamor of dogged footsteps drew closer even as he rasped for another breath. Trembling from exhaustion, he clawed at the bulkhead to pull himself up. His hemorrhaging leg made even standing brutally painful. Nevertheless, he ran. The bulkhead panels and compartment hatches were indistinguishable in the dimness. Vague phantoms lurked nearby even while his eyes adjusted to whatever glowing plasma blast embers flickered from the hull. As he twisted around a corner, he crashed his shoulder into a bulkhead. The impact knocked him back and spun him around. Reaching out with a bloody hand, he grasped the hatch handle leading into the Operation’s compartment. Going through the hatch, he pulled it shut behind him. He started to run, then awkwardly fought his own momentum, and stopped. Stupid! Stupid! Going back to the hatch, he hit the security locking mechanism. It wouldn’t stop a plasma blast, but it might slow them down, he thought. At least this compartment is airtight. Finally, able to take a deep breath, he tried to clear his head of bombarding sensations. He should’ve been in battle armor, but he’d stayed too long in engineering trying to maintain power while the hull had been breached and the ship boarded. Now his uniform was scorched, revealing the plasma burns of seared flesh from his left shoulder down across his back to his right thigh. He had no idea where the rest of the crew was; many were probably dead. His comm pin was mute, and the ship’s AI wasn’t responding. He had only a handgun, but, so far, he didn’t think they were tracking him specifically, merely penetrating into the ship to gain control. Gallant tried to run once more, but his legs were unwilling. Leaning against the bulkhead, like a dead weight, he slid slowly down to the deck. Unable to go farther, he sat dripping blood and trembling as the potent grip of shock grabbed hold. The harrowing pain of his burnt flesh swept over him. Hope and fear alike abandoned him, leaving only an undeniable truth; without immediate medical treatment, he wouldn’t survive. I’m done. Closing his eyes, he fought against the pain and the black vertigo of despair. He took a deep breath and called upon the last of his inner resolve and resilience . . . No! I won’t give up. Exhaling and opening his eyes, he caught sight of a nearly invisible luminescent glow of a Red Cross symbol, offering him a glimmer of hope. He stretched his arm toward the cabinet. “Argh.” He heard a cry of agony and only belatedly realized it had escaped his own lips as he strained to pull away twisted metal from the door to a medical cabinet. Reaching inside, he grabbed a damaged medi-pack. Painstakingly he used the meager emergency provisions to stop the bleeding and to infuse blood plasma. His limited mobility prevented him from reaching awkward areas, but he managed to insert an analgesic hypodermic into his raw, blistered flesh. Next, he crudely bandaged his suffering body. He relaxed momentarily as the medication coursed through his veins, working to stifle the worst effects of shock and blood loss. His parched throat demanded . . . Water. He looked at more cabinets but was unable to make out their markings in the dark. Stretching his fingers, he opened the nearest one, groping for something familiar inside. No. He opened the next. No. And another. Yes. Finally, he snatched a half-buried survival kit. Greedily he drank and even managed to take a few bites of an energy bar. A surge of adrenaline helped him shift his position to sit more comfortably as his mind came into sharper focus. As he examined his surroundings in the faint light, he spotted an interface station. He was about to reach up and patch into the ship’s AI to get an update on the ship’s defensive posture when he was disturbed by the dismal clangor of footsteps. He held his breath. Are they coming this way?

The Science Fiction series "The Henry Gallant Saga." The Henry Gallant Saga COURAGE is only a word . . . until you witness it. Then . . . it is contagious. Henry Gallant is the only Natural left in Earth's genetically engineered space navy. Despite overwhelming odds and the doubts of his shipmates, Gallant refuses to back down as he uses his unique abilities to fight for victory at the farthest reaches of the Solar System. Follow Gallant as he finds the spine to stand tall, vanquish fear, and rain violence upon the methane-breathing enemy aliens. The nation needs a hero like Henry Gallant. He fights! For fans of Horatio Hornblower and Honor Harrington.

Author H. Peter Alesso presents excerpts from his published portfolio and research projects. H. Peter Alesso Portfolio Past, Present, and Future. " Oh, why is love so complicated?" "It's not so complicated. You just have to love the other person more than yourself." Not everyone who fights is a warrior. A warrior knows what's worth fighting for.

Excerpt from the seventh book of the Henry Gallant Saga, Henry Gallant and the Great Ship. Henry Gallant and the Great Ship AMAZON Chapter 1 An Unfortunate Turn of Events As soon as the morning watch settled in, Captain Henry Gallant walked onto the Constellation’s bridge. The Officer-of-the-Deck rose and vacated the command chair without speaking. The voyage had lasted long enough for the crew to become accustomed to his routine. Habitually, during the first minutes of the day, he examined the ship’s vital operational parameters from his bedside monitor before going into CIC for a detailed task force sitrep. Blips from the combat space patrol (CSP) were visible on the main viewer. The speakers broadcast communication traffic from distant Hawkeyes. Once he had satisfied himself that all was as it should be, he appeared on the bridge and assessed the more mundane needs for the day. The OOD handed him a list of completed tasks and those that demanded his approval. During this activity, he was lost in contemplation, and no one dared interrupt his train of thought. Only after dictating his orders for the day did he relax and give a word of encouragement to the OOD. Then he disappeared below decks for his daily walkabout, where he gauged the temperament of the crew. The hour exercise through the spacecraft carrier allowed him to maintain his fitness. This ritual was the most efficient use of his time since it also allowed him to observe ongoing maintenance and repair activities. On the one hand, the number of administrative duties clamoring for his attention limited his time; on the other, keeping in sync with his ship’s pulse was vital to making good decisions. It brought a faint smile to his lips when he resolved to shift more of the clerical burden onto his XO. Margret Fletcher had a talent for paperwork and was known for her no-nonsense adherence to the regs. Even though he overloaded her of late, she had responded with her usual zeal. As he passed through compartment after compartment, he dictated audio notes into his comm pin about items that needed attention. He marched along the corridors and stepped through the open hatches, ever mindful of the crew’s attention. Although immersed in his process, the crew discerned that his military instincts were on full alert. He would notice the slightest failure of attention to detail as the men and women went about their jobs. Occasionally, he heard a laugh or good-natured ribbing. That was well. A crew that could laugh while working would faithfully execute their duties. He enjoyed the sameness of each day; it reassured him that his world remained rational. It had been two days since the Constellation had poked her nose into the Ross star system. Gallant congratulated himself on making the deployment from Earth so rapidly. It had been a long and arduous two-month grind, but Task Force 34 was finally ready to relieve Task Force 31 as guardian of this system. He shifted his mind back to the disturbing initial surveillance reports that had perplexed him for the last twenty-four hours. Task Force 31 was not visible, which by itself, wasn’t alarming. A planetary body might block their light, though they weren’t responding to radio signals either. Again, they might be on the other side of the star, and the speed of light wasn’t being accommodating. Another calculation percolated into his consciousness. He had sent Hawkeyes out on a sweep of the system. So far, nothing was amiss, but there was confusing radio chatter from the planets indicating that some horrific event had occurred recently. Gallant returned to the bridge in time to review the latest recon update. None of the information was reassuring. He noticed an anomaly in the data that prickled the hairs on the back of his neck. Though the statistics were mysteriously thin and precariously riddled with contaminated inconsistencies, they were coaxing him toward a disturbing conclusion. He worried his premonition might be correct and ordered the CIC to conduct an AI simulation analysis. It wasn’t long before Commander Fletcher stepped onto the bridge. “Good morning, Captain,” she said. Then with a frown, she added, “I have the results.” Gallant spun in his command chair and cast a concerned eye on her. She held a tablet by two fingers out in front of her as if she had found it in a vat of something vile. “Morning XO,” said Gallant, taking the device. Swiping through the screens, he absorbed the information while his heartbeat rose. He wanted to remain calm to reinforce his reputation as imperturbable. He didn’t want Fletcher or anyone else to suspect that he could lose his composure. But he was bursting to rush into CIC. He wanted to review the raw data to verify that it was accurate, but he knew that the analysts would have been meticulous in developing this report. She interrupted his concentration. “You were right, sir.” “Ha—h’m,” he said, clearing his throat. He took a deep breath and forced himself to appear relaxed. Fletcher shook her head and prodded, “Looks like an enormous debris field—possibly with escape pods.” She pointed to the area spread deep throughout the star system’s heart, halfway between planets Bravo and Charlie. The OOD and the chief of the watch inched closer, craning their necks to get a peek at the tablet. Gallant recalled the disturbing image of the original data. Understanding flooded over him. He visualized what must have taken place, and it took an enormous effort to suppress his emotions. She scowled. “No sign of Task Force 31.” Still, he didn’t respond. She muttered, “That doesn’t necessarily mean . . .” Everyone on the bridge gazed expectantly at him. Like a father who returns home to find his front door smashed open, he ordered, “OOD, open a channel to all ships.” A moment later, the OOD reported, “Channel open to all ships, Commodore.” “To all ships, this is Commodore Gallant; set general quarters, assume formation diamond 4.4.” “Aye aye, sir,” came the response from each ship. The task force split into four strike forces. Captain Jackson of the Courageous led the first strike force designated 34.1. It was followed one light hour behind by 34.2 and 34.3, led by Captain Hernandez of the Indefatigable and Captain Chu of the Inflexible, respectively. They kept a light-hour separation from each other. Finally, Gallant led Constellation and Invincible in 34.4, another light hour behind the rest. The cruisers and destroyers were split amongst the strike forces. The dispersed strike forces looked like a baseball diamond with the Constellation at home plate. It took several hours to complete the maneuver. Satisfied that the ships were sufficiently far apart for the majority to survive a blast from the Great Ship’s super-laser, he ordered, “Task Force change course to 030 Mark 2, all ahead full.” Gallant waited anxiously on the bridge for the entire twenty-four hours it took for the task force to crawl across the Ross star system. Some telltale blips appeared on the scope interspersed within a belt of asteroids. When they were finally close enough, they saw the remains of many half-dead ships. They began picking up distress signals of countless escape pods. Officers and watch-standers on the bridge stared at the viewscreen, trying to glimpse the wreckage. Gallant’s eye estimated the number of blips. They could only be the remnants of Task Force 31. It was worse than he imagined—a terrible loss of life. “OOD, prepare med-techs. Send the search and rescue teams to recover the escape pod survivors.” The initial action report was sent by the senior surviving officer, Captain Raymond. It was sketchy. It couldn’t be called a ‘battle’ report since not a single ship of the task force had fired a shot. After a brief visit to Constellation’s sickbay, the officer reported to Gallant’s stateroom. Raymond was not quite fifty, but his balding head, sunken eyes, and beaked nose made him appear older. His long black mustache with grey flecks drooped, making him appear to frown. His uniform was in tatters, and he had several bandaged injuries that had been tended to by the ship’s surgeon. His thickset body was powerful, but he stood slumped over, pain etched across his face. “That’s the scorched wreck of my ship, the Dauntless,” said Captain Raymond, pointing to the viewscreen. The broken battlecruiser, along with the crippled remnants of four cruisers and a dozen destroyers, were all that was left of Commodore Pearson’s Task Force 31. “Commodore Pearson orders were to hold the system at all costs. Admiral Graves had assured him that the Great Ship would not appear. He was told that it would have to protect the Chameleon home planet in the Cygni star system against the Titans. At least that was President Neumann’s thinking after he found out that the Chameleon had only the one Great Ship left.” “The United Planets has been in negotiation with the aliens for over a year,” said Gallant. “Was there no progress?” There was anguish in Raymond’s voice. “None. And the Chameleon were angry.” He paused, dropping his gaze. “The governor told them to shove off, no deal was possible. After that ultimatum, things turned ugly.” Gallant frowned. “Take your time and start from the beginning.” Raymond’s words were clipped. “Task Force 31 had one carrier, four battlecruisers, and two cruiser-destroyer squadrons between planets Charlie and Bravo when the Great Ship appeared. They demanded that the United Planets evacuate the star system. Well, you know Pearson, no way that was happening. He sounded battle stations and ordered his ships to disperse to present a minimal target for the Chameleons.” When Raymond hesitated, Gallant prompted, “What happened next?” “The action was a disaster—a complete shock. The Chameleon looked at the dispersion as a threat and warned him to stand-down, withdraw, or surrender. After a few minutes, they fired.” He cast his eyes down. “The single blast was so devastating that it destroyed nearly all our ships. The blinding light and searing heat crippled my Dauntless and disintegrated most of the task force. The crippled remainders launched escape pods and waited for a follow-up salvo that, mercifully, never came. We hobbled out of the way. I sent a message to the governor on Charlie.” Raymond swallowed hard and furrowed his brow. “The governor’s response was to call it ‘an unfortunate turn of events.’” “I learned later that the Chameleon had threatened to make peace with the Titans if we didn’t yield the system. They must have since it gave them the freedom of action to leave their home world unprotected and deal with us.” He handed Gallant a flash drive. “This contains a plot of the action and the recordings of the communications between our ships and the governor. I’ve stuck my neck out to get this information on the record. You should collect and check the wreckage along with my observations.” “I understand. Some powerful men in the admiralty will be worried. I will describe the action in a detailed report to be sent to Earth,” said Gallant. He worried about how to keep Task Force 34 from suffering the same fate as their predecessor.